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Wandering London, shouting (unwisely) for anyone else, he eventually encounters Selena ( Naomie Harris) and Mark ( Noah Huntley), who have avoided infection and explain the situation. Jim is the everyman, a bicycle messenger whose nearly fatal traffic accident probably saves his life. Spend enough money on this story, and it would have the depth of ' Armageddon.' Alex Garland's screenplay develops characters who seem to have a reality apart from their role in the plot-whose personalities help decide what they do, and why. The audience wouldn't stand for everybody being dead at the end, even though that's the story's logical outcome.Дirector Danny Boyle ('Train-spotting') shoots on video to give his film an immediate, documentary feel, and also no doubt to make it affordable a more expensive film would have had more standard action heroes, and less time to develop the quirky characters. I suppose movies like this have to end with the good and evil characters in a final struggle.

The ending is disappointing-an action shoot-out, with characters chasing one another through the headquarters of a rogue Army unit-but for most of the way, it's a great ride.

Finally we get to feel what it's like to be a zombie.So opens '28 Days Later,' which begins as a great science fiction film and continues as an intriguing study of human nature.

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The director mumbled something about this movie being about experiencing the rage of the zombie. I watched the commentary, for a hot second. They could have just left.ДЄnd then of course you have the whole thing with the super zombie tracking his kids across the entirety of London. Why were people freaking out? The doors were open. Well, at least the people are pretty secure in the garage, right? Actually no, because someone forgot to lock one of the doors, which the zombie literally waltzes through before starting to infect every single person in the garage. Shh, be quiet! Maybe the zombie won't hear you! What's the first stage in red alert? Turn off all the lights, of course. Because when the zombie is discovered, the base goes into red alert. What better way to protect people than by jamming them shoulder to shoulder in a dark, cramped garage.Дid I say dark? I meant pitch fucking black. I mean, highly infectious, rapidly transferring zombie virus. What to do? How about taking every person from their homes and sticking them in another underground garage. The General realizes that they've got zombies running around.

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Within 5 minutes of getting infected, he's killed like a dozen armed guards, apparently full on Solid Snake style, cause they never see him coming, never so much as fire off a round. The guy at the Pentagon who's in charge of building power, he has clearance to the Alien labs and the nuclear launch programs.) Gets himself infected. Her husband gets in (I know, I know, he's like the SUPER janitor so he has keycards everywhere. How about sticking her in a trailer in a parking garage with nothing but some keycarded doors between her and some dumb fuck looking to get infected. What does he do with her before he kills her? Does he put her in a highly secured cell with a unit of armed guards to ensure no one gets in or out? Nope. What does the General want to do with her? Kill her, of course. She is perhaps the key to developing a vaccine that could protect the entire human race from the virus. So this lady, she's like the one person, in the whole country of England, who doesn't get turned into a zombie by the virus. But those movies, the ones that are nothing but what's happening on screen, they are at least accountable for maintaining some Goddamn sense in that happening. You sit down, you zone out, and you just enjoy the pretty colors and loud noises for two hours.

I understand that there are movies out there which aspire to nothing but entertainment. One of the dumbest movies I've ever seen.

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